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But you should be fine if you’re a horror buff and are used to watching all types of horror shows and movies. Let’s take a look at what parents need to know before letting their kids watch The House. We get narration as the episode comes to an end of Auguste reading “The Fall of the House of Usher,” and we learn that he puts in his retirement now that his case is over. Juno inherits everything and completely dissolves Fortunato, using her money for rehab centers and recovery research.
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“I sent her off like a queen, Queen Twosret, as a matter of fact,” Roderick replies, referring to an Egyptian queen who was believed to be mummified. Verna tells Lenore that Morrie will survive Frederick’s abuse and will end up okay. She’ll get a large fortune when the company goes down, and she’ll eventually give most of that money away to charity. The money she will keep will be used to start her own non-profit organization called the Lenore Foundation. Verna tells Lenore that it’s really her who will save all of the lives because she made the choice to call the police and save her mom from her dad.
‘The House’ on Netflix – Explained, Cast, Reviews, Parents Guide, and More
Embarrassed, Tammy begins her presentation about Goldbug and tells the audience that everyone has specially curated health boxes under their chairs. She’s doing a great job, but her speech comes to a halt when she notices the mysterious woman again, this time sitting in the audience. When she looks back at her presentation, she sees Verna’s photos have replaced her own. Tammy goes to her dad’s house to speak with him but Juno tells her that he’s not there and she doesn’t know where he is. Juno opens up to her and tells her that she never really had a family and when she and Roderick got together, she mistakenly believed she would finally have one. But of course, that’s not how it is as the siblings have never embraced or even accepted her.
What's the Story?
Frederick has been desperately trying to break into the burner phone that Prospero gave Morelle, to the point of taking off her bandages to get a facial ID. When Roderick returns to his apartment, we get to see how he, Madeline, and his wife at the time, Annabel, were living together. They had barely any money and we can see how Madeline has always been the one really pulling the strings and scheming for them to get ahead. She assures Roderick that they’re going to get ahead of Rufus and later leave him in pieces. Well, without treatment, Eliza eventually dies, forcing Madeline and Roderick to bury her in the yard. But that night, they discover she’s dug herself out of the grave, seemingly not dead after all–or something worse than dead.
Camille L'Espanaye (Kate Siegel)
From there, he jumps ahead to New Years night of 1979, just before the start of a new decade. The narrator and Roderick place her in a tomb despite her flushed, lively appearance. In the tale's conclusion, Madeline escapes from the tomb and returns to Roderick, scaring him to death. Fearing that her body will be exhumed for medical study, Roderick insists that she be entombed for two weeks in the family tomb located in the house before being permanently buried. The narrator helps Roderick put Madeline's body in the tomb, whereupon the narrator realizes that Madeline and Roderick are twins. The narrator also notes that Madeline's body has rosy cheeks, which sometimes happens after death.
The Masque of the Red Death
We then cut to a flashback of her last conversation with Alessandra. As she was about to walk out of the door, Victorine chucked some type of decorative object at her head and ended up killing her. Roderick tries to grapple with his family’s new reality, feeling like he might be losing his mind. He might know what’s actually going on, which he thinks sounds crazy, but he also might be crazy enough to put a stop to it. He considers taking his own life by overdosing on Ligodone or jumping out the window, but he’s too scared to do it. He believes that if he kills himself, he might be able to save his family.
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Over the next week, both Roderick and the narrator find themselves increasingly agitated. It doesn't always work as well as series like "Hill House" or "Midnight Mass" — even Flanagan can't always conquer the delicate tonal balance of this story — but there's an ambition within "House of Usher" that's both admirable and infectious. This is Flanagan and his entire team just going for it, and it's insanely fun to watch.
Victorine LaFourcade (T'nia Miller)
He shows Auguste his phone and the repeated texts say “NEVERMORE” along with misspelled variations of the word. In the present time, which we are quickly approaching with Roderick’s story, Auguste tells Roderick that once he heard he had lost Fortunato, he was told to give up the case. Lenore continues to send text messages to Roderick but he ignores her, which confuses Auguste. The cops leave Frederick’s house after assisting Lenore with her mother, and when Arthur arrives he’s angry that Lenore gave a statement before he could get there. Lenore tells him that her father was abusing and mutilating her mother and that she needs to tell the truth. Roderick is proud of Lenore for speaking up, while Madeline is now on her way to becoming the new CEO.
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I’m sure you can’t wait to watch this new horror series, but before you hit play on the show’s title page on Netflix, we must share the parents guide and age rating. We’ve finally made it to the end of The Fall of the House of Usher, and if you’re desperate for answers at this point, don’t worry. As we see in the final moments of the penultimate episode, Roderick is not able to take his own life; Verna stops that from happening. She speaks to him at the Fortunato office when he wakes up, bringing up the fact that millions of people have died because of him. She’s not going to let him and Madeline change the terms, which is why he isn’t able to kill himself.
It stars an ensemble cast led by Carla Gugino as a mysterious woman plaguing the Ushers, Bruce Greenwood as an elderly Roderick and Mary McDonnell as an elderly Madeline. Roderick has come from a miserable childhood with a puritanical, sickly mother who believes that “pain and suffering are the kiss of Jesus”. Alongside his favoured players is Mark Hamill as an unfeeling lawyer/fixer for the Usher family who sounds as if he gargles a pint of nails every morning. But as we know from the start, there’s no point in getting overly attached to them, as grisly fates are assured for all. It’s not so much the “what” as the “why” that the audience and Dupin need to be answered.
Roderick has started working at Fortunato, but he’s on one of the lowest rungs. He brings his idea for his blockbuster painkiller pill to the current CEO, Rufus Wilmot Griswold (Michael Trucco), the man leading the company before Roderick eventually takes over. You know that many of these people are going to die, because the show tells you, but even with that awareness, you can't be prepared for exactly how Flanagan brings the hammer down, and that makes the series a delight for horror fans. In November 2023, Roderick Usher, the CEO of pharmaceutical company Fortunato Pharmaceuticals, loses all six of his children within two weeks. Auguste Dupin, an Assistant United States Attorney who dedicated his career to exposing Fortunato's corruption, to his childhood home, where he tells the true story of his family and unveils the Ushers' darkest secrets.
His goal is to get everyone soaked and writhing together on the dance floor, and Prospero does get his wish—just not in the way he’d think. Vera shows up in disguise and temporarily seduces Prospero before tipping off the wait staff to leave ASAP. When the sprinklers are finally activated they spit a toxic concoction of chemicals, including acid, that literally melts the skin off of everyone there. Roderick tells Auguste the last thing his mother did in her life was murder a powerful man and it made him and his sister love her all the more for it.
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Some of the CGI, particularly one scene involving bodies falling from the sky, is unintentionally funny. Problematically, Flanagan tends to conflate queerness with depravity and sexual fluidity is punished here with an unnerving flourish. But the show remembers to be actually scary, with truly inspired uses of chimps, mirrors and sprinkler systems. There’s no question that The Fall of the House of Usher ranks among Flanagan’s finest works. Many familiar faces from Flanagan’s other shows appear in the series, such as Carla Gugino, Zach Gilford, Henry Thomas, Kate Siegel, Rahul Kohli, Samantha Sloyan, T’Nia Miller, Sauriyan Sapkota, Ruth Codd, and Aya Furukawa.
On top of all that, he's also an elitist, quick to dismiss his half-siblings (known as "the bastards; more on them soon) as "not really Ushers" whenever the opportunity arises. The real star, though, is Carla Gugino as Verna, a mysterious figure who emerges as a key player in the story due to what she knows about the Usher family. Her presence as yet another Flanagan favorite is welcome, but even with their long history, Gugino's never been quite this hypnotic in a Flanagan production, and her performance is a joy to see. The content on this site is for entertainment and educational purposes only. All advice, including picks and predictions, is based on individual commentators’ opinions and not that of Minute Media or its related brands.
Flanagan finishes his Netflix contract on a high, gleefully capturing Poe’s magic, eerie romance and sense of dread. His shows have become the streaming service’s best offerings for spooky season, and it is hard to imagine how that void will be filled. It’s not perfect – the order in which the Poe family meet their fates is a case of diminishing returns, as its most intriguing members are dispatched too quickly.
Bill says that Tammy must be losing it and reminds her that the hookers were her idea before walking away. Victorine’s girlfriend Al confronts her, upset that she scheduled a patient for surgery without telling her. Victorine tries to explain but Al doesn’t want to hear it because they still aren’t ready for human trials. She discovers that Victorine forged her signature on falsified data reports and is incredibly angry about it, but Victorine tells her not to be a child. Al decides she’s out and Victorine begs her not to tell anyone about what’s happened, bringing up the fact that she signed an NDA. But Alessandra assures her she’s going to tell and she doesn’t care if she gets sued.
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